Notable OBs

The history of the College would be non-existant without the stories of its alumni who were educated and grew up within its walls. It is people who make the College what it is today, and we are proud to share with you a few stories below of what our alumni have achieved throughout the College's 172 year history. 

If you would like to nominate someone as a Notable OB, please email This email address is being protected from spambots. You need JavaScript enabled to view it.

Nominated by This email address is being protected from spambots. You need JavaScript enabled to view it. (A. 1966-71) - Born: 15 August 1954, Brighton, UK., highly successful films include 1971's "Friends" and "The Abominable Dr. Phibes".

Geoffrey Hett (5 March 1909 – November 1988) was a British fencer.

Chris Terrill is a documentary maker with more than 100 films to his name. Terrill photographs, records and directs all his own films which range from the purely observational to the investigative.

Alan Mann (L. 1950-53) died on 21st March 2012 aged 75. He was a part-time racing driver and team manager who ran a substantial part of the hugely successful Ford works racing effort in Europe from 1964 to 1969.

Loren O'Dair (Wi. 1997-2002) was a music scholar at Brighton College. She studied Drama and Theatre Arts at Birmingham University and then completed her professional acting training at Ecole Jacques Lecoq in Paris.

Nominated by David Gold (S. 1986 - 91) - Actor best known for his many TV appearances, most infamously in the abortive BBC soap Eldorado!

Rose Elinor Dougall (born 13 March 1986, W. 1999-04) is an English singer, songwriter and musician best known for being a member of "The Pipettes".

Born Jesse John Gold in 1932 in Stamford Hill, north London, the son of a milliner he moved to Brighton in 1939 with his family.

PAUL LEWIS was born into a family of professional musicians in Brighton, England, in 1943. As a child he was fascinated by history and ancient buildings, reluctantly learning the piano from the age of nine. At twelve he saw the Shakespeare films of Laurence Olivier with Walton's music and immediately realized he had to be a composer. He purposely avoided all formal training, choosing instead to leave school at fifteen and enter music publishing to find out how the music business worked from inside.

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